Believe The Keys, Ep1

The most captivating instrument to me will always be the piano due to its ability to so fervently stand alone in music— similar to the three artists we have today. 

Jan Ove Fjeld's Reflection serves as a musical journey, starting with subtle notes that gradually coalesce into a harmonious crescendo. The piece mirrors life's reflective moments, capturing the essence of self-discovery and personal growth. Each note, like a fragment of introspection, builds upon the last, creating a captivating narrative that resonates with the listener's own contemplations.

Transitioning seamlessly into Hudba Lyrika's Mangan, the similarities between the two pieces are striking. Mangan feels like a natural continuation of Fjeld's reflection, as if the journey has went on into a new chapter. The melodic threads interweave, creating a fluidity that makes the transition between the two pieces almost imperceptible (Try Spotify’s cross-fade). Lyrika's composition becomes an extension of Fjeld's initial musings, seamlessly carrying the listener into a different yet connected emotional landscape.

In contrast to the contemplative nature of Fjeld and Lyrika's compositions, Kait Dunton's this one's for you takes a bold approach. With funky licks and vibrant rhythms, Dunton injects a lively energy into the musical narrative. The piece stands out with its playful and celebratory atmosphere, akin to the lively spirit of a festive gathering or communional celebration. The duality of Dunton's track against the reflective tones of Fjeld and Lyrika adds a dynamic element, creating a triptych that explores various facets of emotion and experience.

Dunton's composition feels like a lively communion, evoking the spirited gatherings of a community. The contrast highlights the versatility of piano music, showcasing how it can seamlessly traverse from introspection to jubilation. Together, these three pieces form a captivating musical tapestry, each contributing a unique thread to the overarching narrative of the human experience.